Vincent Bossley is a sailor and publisher living on the Northern Beaches of Sydney, Australia. He has his own www.sailboat2adventure.com website for cruising sailors, sailors planning their lifetime adventure, armchair sailors, virtual sailors and indeed anyone who has ever dreamt about sailing off into the oceans of this beautiful planet of ours. He offers an extremely useful package of ‘101 Dollar Saving Tips for Sailors’ gleaned from his experiences that could save the voyager many hundreds or maybe thousands of dollars during their voyage. Included is his 135 page download illustrated ebook ‘Voyage of the Little Ship ‘Tere Moana’ of his own four year sailing adventure to many of these tropical paradises. Also FREE is the ‘Ten Top Tips’ to look for when purchasing your dream sailboat by internationally renowned marine surveyor Mark Clarke. Vincent is passionate about getting budding sailors started on planning their own odyssey. You can visit him anytime on his www.sailboat2adventure.com website
Posts Tagged ‘Beautiful’
Travel to Indonesia – A Country of Thousands of Beautiful and Exotic Islands
December 18th, 2009Indonesia, a Country of thousands of beautiful and exotic Islands, that spark off your imagination with thoughts of fine sandy beaches, huge temple complexes, great diving and the giant dragons of Komodo. The islands of Indonesia are spread over a vast expanse of ocean and technically speaking is divided by two Continents.
Some parts of the Country can be as different from each other as black is from white. The hustle and bustle of the modern capital Jakarta is like another planet when compared to the traditional Papuan tribes of the Baliem Valley. Jakarta Not only is it the largest City in the Country, Jakarta is also the heartbeat. Indonesian’s from all over the archipelago come to the City to try and find their fortune or just to survive. The face of the City is constantly changing due to the construction of new skyscrapers, shopping malls and hotels.
Jakarta is mainly a business and political City and not really a tourist destination, but the older colonial parts of the City are very interesting and the museums have a lot of fascinating exhibits.
Jakarta, like you would expect, is the most expensive place in Indonesia, as well as the most polluted and most congested. It can be very hard to cope with all of the hustle, dirt, crime and cost, but if you can you will find an exciting City with plenty to offer.
Kota This is the old Town of Batavia, which was the capital of the Dutch East Indies and the best example of the colonial era in Indonesia. Though much of the old town has been destroyed or demolished over the years, some of the old Colonial buildings are still in active use, and the area has a definite Dutch feel to it.
The centre of the old Town is the pebble stone square known as Taman Fatahillah and this is the key to being able to orientate yourself around the sights of the old Town. The canal of Kali Besar is one block to the west of the square and runs alongside the Ciliwung River.
This was a very prosperous area and on the west bank are some of the high class homes that date from the eighteenth Century.
The Chicken market bridge is the last remaining drawbridge from the Dutch era, it is at the north end of the Kali Besar. Buses always come by on their routes and the city train also has a stop here.
Jakarta History Museum This museum is housed in the old town hall of Batavia, which is on the south side of Taman Fatahillah. It is a well built building, which was originally constructed in 1627 and added to in the early 1700s. It was from here that the Dutch administered their colony, and the cities law courts were also here as well as their main prison compound.
It contains plenty of heavy, carved furniture from the colonial, as well as other memorabilia from the Dutch period. Open, 9am till 3pm, Tuesday to Sunday. Admission: 1,000Rp Wayang Museum This museum is also on the Taman Fatahillah, and has a great assortment of Wayang puppets. It also has examples of puppets from other Countries like Cambodia, China and India.
This building was formerly the museum of old Batavia and was built in 1912 on the site of the former Dutch church which was demolished in 1808 as the
Dutchman “Daendels” plan to rid the City of its unhealthy areas. In the downstairs courtyard, there are memorials to previous governors who were buried on site. Open, 9am till 3pm, Tuesday to Sunday. Admission: 1,000Rp
Fine Arts Museum Built in the 1860s, the palace of Justice building is now the Fine arts museum. It has a nice collection of contemporary paintings from prominent artists. They also have some ceramics on show from Chinese items to Majapahit offerings. Open, 9am till 3pm, Tuesday to Sunday. Admission: 1,000Rp
Gereja Sion This church was built in 1695, and is the oldest Church in Jakarta. It is on Jl Pangeran Jayakarta near the Kota train station. The exterior of the Church is actually pretty plain but inside copper chandeliers, the original organ and the baroque pulpit makes it very appealing. Though thousands of people have been buried here there are very few tombs left remaining.
Sunda Kelapa Just a 10 minute walk from the Taman Fatahillah, the old City port of Sunda Kelapa is full of wonderful Macassar schooners and the brightly coloured sails of these boats make for great viewing. The ships are still a vital means of transporting goods to outlying Islands.
Guides hang around the docks and for a few thousand rupiah will show you around and tell you some insightful stories. You can also take a ride out to the offshore fish market for around 5,000Rp. Admission, 250Rp to the dock area.
Maritime Museum This is an old VOC warehouse that was built in 1645 and is by the entrance to the Sunda Kelapa. It has examples of Indonesian crafts from around the ages and has photos of the voyages from Europe to Jakarta. The building itself is well worth the visit and the lookout posts are part of the old City wall.
Just before the entrance to the museum proper, is the old watchtower that was built in 1839, it has brilliant views over the harbour. Opening hours are hit and miss, so try to find the caretaker.
National Museum This museum, constructed in 1862, is considered the paramount museum in Indonesia, and one of the finest in South East Asia. It has a huge ethnic and relief maps of Indonesia on which you can track your travels. The museum has a variety of different cultural displays that show a diverse collection of clothing, instruments, model houses and religious items. In addition the museum has a fine collection of Chinese ceramics that even date back to the Han dynasty of the third Century.
The museum is sometimes known as the Elephant house due to the giant bronze elephant that was a gift from the King of Thailand, and that now stands outside. Open, 8.30am till 2.30pm, Tuesday to Sunday. Admission: 750Rp. Guides are around who can conduct tours in various different languages.
National Monument This 130 metres high monument stands over Merdeka square and is Jakartas chief landmark. The construction was started in 1961 but was not finished until 1975, when it was officially opened by President Soeharto. At the base is the National History Museum which tells the story of the Indonesian struggle for independence. On national holidays and at the weekends the queues can be long. Open, 9am till 5pm, daily. Admission: 600Rp or 3,100Rp which includes a ride to the top.
Lapangan Banteng Just east of Merdeka square is this nineteenth century colonial square. It has some of the best examples of Dutch colonial architecture in the whole of Jakarta. The Catholic Cathedral was built at the turn of the twentieth Century, and is opposite the principal place of worship for Jakartas Muslim community, the Istiqlal Mosque. To the east of the square is the Supreme Court that was built, along with the Ministry of finance, in 1809 by that man “Daendel” to replace those buildings torn down.
Batik Making in Beautiful Bora Bora
November 29th, 2009Apart from an aerial view, the best vantage point for viewing the encircling reef of Bora Bora is from the top of the twin peaks. Her captain and WK set off up the long track next morning, whilst sibling crew, using the excuse that our two men need some male bonding, prefers to go shopping in the village. Trekking upward is hot work, even though the trail is bountifully shaded with palms and other trees, so that the sweat has begun oozing within a short distance up the climb. Two thirds of the way up, the track opens out into a gorgeous shady glade with a Tahitian house set on the far side. Our two heroes momentarily think they have taken a wrong turning and are entering some private garden. Not a sign anywhere indicating this is private property, so they stride toward the shaded verandah in the hope that there may be a cool drink on offer from inside. Passing an open door of what looks to be some kind of a studio, they peer in and spy a lady wrapped in her pareu, working over a table spread with fine and brightly coloured cloths.
On becoming aware of someone in the doorway, she glances up, flashes a brilliant smile and invites them in most naturally, as if this is a commonplace occurrence and she has been expecting them. She straightens, turns toward them and walks with a natural grace over to a sideboard and pours two large glasses of what looks like water with lime. Turning once more, she glides over the matting of the hard earthen floor, placing each foot straight and directly in front of the other as she walks, like any well bred woman would. Smiling all the while, she arrives and hands the glasses to our adventurers with a thank you and welcome. In their state of readiness she appears as a vision would, surrounded by some kind of halo, her skin glowing with a honeylicious epidermal effulgence. Gratefully accepted the drinks are gulped down, the lime cutting the water delightfully, immediately satiating their thirst.
Ever watching them, eyes sparkling with amusement, she politely waits till they have taken their fill and asks, was it a hot trek up the hill this morning? hiding her irony beneath that engaging smile. In the presence of such stately beauty, our two gallants mumble their thanks and begin to collect themselves. They ask if they are on the right path to the top and she satisfies their concern that indeed they are, and that her house happens to sit on the path. Appeased, and having noticed much framed Batik art hanging on the fronded walls, they set about asking her about her art.
Ill show you she says.
Bending over the table, her tresses falling sensuously about her face and bare shoulders, hands fluttering delicately, she demonstrates how she paints the wax onto her fabrics. There are many pots of dyes strewn about, and having applied the wax, the fabric is dipped into the next colour of dye she wants. Watching several stages of this complex waxing and dyeing process, she then moves to another table where she has a finished work ready for de waxing. Placing the absorbing paper on the fabric, she takes her hot iron over it and melts the waxes. As each layer melts into the paper another colour is exposed until, peeling off the last sheet, the final image is revealed. The finished image is complex and quite beautiful and many such examples grace her studio. This particular piece is a brightly coloured pareu which will hang on the rack along with all the others – all items are for sale.
Batik art is like painting in reverse in that the artist has tovisualise the completed picture beforehand and then go about applying the wax to the areas that are to remain the same colour and not affected by the next dye colour. So, there can beno mistakes with this art form, as there is no way back, once made they cannot be corrected. Watching her at work for half an hour – no more visitors during this time – gives out two a much greater understanding oof this art form and they arevery impressed. She comments with a wry grinthat she receives most visitors early morning or late afternoon whenit is cooler. Expressing much admiration for her work and thanking her they take their leave, promising to call in again on their way down to select a suitable piece.A languid wave from her doorway sees them off on the next stage.
Extract from my ebook ‘Voyage of the Little Ship ‘Tere Moana’ downloadable form my sailboat2adventure website for sailors.
